raw vs jpeg

Almost every video geared toward beginning photographers urges them to shoot in JPEG rather than RAW. While I get what they’re saying, I think this is misguided advice. First of all, the software necessary to process RAW images isn’t that expensive these days. Adobe Creative Cloud offers Photoshop for $9.99 a month. Most people pay ten times that amount (or more!) for cable TV without batting an eye. Second, Adobe Camera Raw (which is the extension of Photoshop that allows one to tweak the RAW images) is not that hard to use. It’s actually really straightforward and because it doesn’t alter the original file, you can practice to your heart’s content without worrying about destroying your pictures. So, my advice? Buy the Photoshop subscription, and play around. If you want, you can shoot in RAW+JPEG, so you can have easy access to photos, but still have the ability to make them incredible if you so desire.

The following is an example of how, even with GOOD equipment, photos can still come out, well…crappy. My cat is not blue in real life!

oliver before ACR

This is a white balance problem that I most likely could have corrected on the camera at the time I shot the photo, but didn’t for whatever reason (read: I still have a lot to learn). Now, if this was a JPEG I would have to find a way to correct that after the fact. Photoshop could do it, but it would require doing all kinds of color adjustments — probably no problem for a “pro” but overwhelming for a beginner.

Here is the photo after Adobe Camera RAW.

Mister Oliverio

I adjusted the white balance (I selected “Shade”), added some vibrance, and finished it off with a bit of a vignette. It really brings out my little Olliebear’s “expression,” which is obviously the best part of the photo! ACR gives you so much creative control, and allows you to take your crappy photos and make them awesome! Don’t let your camera make all the decisions because sometimes your camera is wrong.

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Zane Makes Eggs

Our son, Zane, who just turned two and a half a couple of days ago, has always been a big fan of cooking. Over the course of his short life he has dutifully observed me while I cooked for the family, and at some point he just started joining in. I didn’t realize how proficient he had become until I recently witnessed him cracking eggs without getting a single shell in the bowl! I thought this was pretty impressive, so the next time we made eggs I took a little video. Here is Zane making scrambled eggs from start to finish!

Zane Makes Eggs from Kelli Wilson on Vimeo.

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lazy sunday + vsco

I recently purchased VSCO Film 01 for Adobe Camera RAW and Photoshop. It’s not cheap, but I’ve been dying to try it. I like experimenting with different aesthetic presentations for my photos, and I’m not married to any particular “look.” Plus, I like to learn new things! There are some free actions out there that mimic VSCO, and I have used some of them, but they’re just not the real thing and the finished product is evidence of that. Because they are actions, rather than presets, they are run directly in Photoshop on an already compressed image, which gives one less control over the final outcome. Shooting in RAW (vs JPEG) is required to use VSCO with Photoshop and, much to my delight, it has vastly improved the quality of my photos with or without presets. It’s so great to be able to tweak things like exposure, highlights, and especially white balance, without permanently changing the file.

RAW // VSCO Film 01 // C-Kodak Portra 160++

lazy sunday + vsco

lazy sunday + vsco

lazy sunday + vsco

lazy sunday + vsco

lazy sunday + vsco

lazy sunday + vsco

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happy birthday, olde shoe!

Last night we celebrated my father-in-law’s birthday (albeit a little belatedly), and I took my camera along. I haven’t been doing as much photography lately, and I’ve missed it. I have been experimenting with shooting in “RAW” mode — actually RAW+JPEG — and using Adobe Camera Raw to make adjustments in post-production. I may never be able to go back to shooting straight JPEG. Many of these images were blown out or too dark because of the indoor lighting (a combination of “tungsten” and “fluorescent”), and I was able to fix that in ACR.

happy birthday, olde shoe!

happy birthday, olde shoe!

happy birthday, olde shoe!

happy birthday, olde shoe!

happy birthday, olde shoe!

happy birthday, olde shoe!

happy birthday, olde shoe!

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8 // 52

8 // 52 // Lillia

8 // 52 // Zane

“A portrait of my children once a week, every week, in 2014.”

Lillia: It’s school vacation week and you’ve spent most of your time drawing. Yesterday, on the way home from dance class, we talked about college art programs. You really want to go to Keene State (I think so you’re close to home, which is endearing), but I think you’ll change your mind when the time comes.

Zane: You’re up, you’re down, you’re all around — undeterred, as your father says. When we went to the store last night, you saw a little boy about your age in the art supplies aisle. You asked me, “Can I hug him?” I told you that some kids (and grown-ups, too) are a little scared of people they don’t know, and you seemed to understand. You just gave him a friendly wave, instead.

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